It’s vital that we, as storytellers, understand what ALL our characters (major and minor) want and need. If you have a cast of passionate characters, passionate about willy-nilly things, a story can get befuddling and difficult. Unless their passion circles the same topic the story wanders off in too many directions and then a reader gets lost.
For example, I recently read a manuscript wherein one character was passionate about rebuilding old cars, another passionate about remodeling kitchens, and a third passionate about going to day spas. Okay, interesting. Unfortunately these three passions never intersected in the story. I suggested to the writer that if all three could meet as a result of vintage cars, remodeling, or at a day spa, then they could bond over that single shared passion, the crime could have something to do with that, and so on. But instead the reader was sent in three different directions, down three separate roads only to wonder why and then quickly get tired of the story.
When I realized that the cast of characters in my upcoming novel, all of whom are holocaust survivors, all had the same needs (safety, community, nourishment, etc.) I had to write them with conflicting wants or the story would be boring (remember, wants and needs are VERY different) – some want to remember while others will do anything to forget. Some seek justice while others have lost hope in the jurisdiction of this world. Some seek the truth while others see only lies – and so on. These conflicting desires surrounding the same topic (the holocaust/concentration camp survival) create conflict no matter what else is happening. That tension filled topic is at the core of my story and keeps the spokes of my story-wheel spinning all in the same direction.
So remember, know the wants and needs of your characters and ALWAYS create conflict on every page.
Here’s a great article from K.M. Weiland on The Thing Your Character Wants VS The Thing Your Character Needs.
Last night I had the pleasure of guest lecturing at the University of Washington again, in the Fiction writing class. One young man asked me a question toward the end of the evening that I felt I left unanswered, and it bothered me all night. He asked how a writer can keep from being overwhelmed by the amount of work it takes to write a novel and how much there is to learn. I’ve been there!
Anyway, I half way answered before other students chimed in with other great ideas, but I felt I never fully addressed his sincere concern. What I did say was to stay connected to your passion, remember why you wanted to be a writer in the first place, because that part of you can get SO lost in all the work. Have artist/writer’s dates with yourself, I told him. Go to coffee shops or sit on a mountain or go to the beach with a pad and pen and write (old school) because the actual act of writing taps into your subconscious and connects you with your desires, and can connect you to a deeper level of storytelling. I reminded him about what I said early in my talk; that writing is a lifelong apprenticeship and that it’s critical to remember that, and to give yourself some grace. But I didn’t’ get much further than that as it was the end of the evening and we all had to go drive in the snow.
What I’d like to add is this…
By grasping the reality that writing is a lifelong apprenticeship you can lessen the burden of the pursuit of perfection because it’s unachievable for the vast majority of writers, especially in the beginning. You can only learn so much at a time, but keep learning, keep growing, keep expanding your writerly pursuits, knowledge and craft tools, and just get better with every new project, and remember (and cherish) the writing tools (and mentors) that aid you in the journey.
Most importantly, if writing is your passion, keep writing. Find mentors like your instructor, Scott Driscoll. Find your tribe, I wish I had told him that. Find a group of like-minded writers to meet up with every so often, either just for coffee and story talk or to write with. Finding your tribe helps you stay connected. Go to writing conferences. Read great works of literature (however you define them) and get inspired to do the same. Emulate other authors who you admire. Peruse bookstore shelves, read the first sentence of ten best sellers (in your genre) and go sit in the bookstore coffee shop (or wherever you like) and write.
Also, if you love language don’t forget to play with words. I love the sounds and meanings of certain words and try to use them in my writing when I can. Or concepts, like how an object can be metaphor in a story, that’s what I was playing with when I took a break from working on my novel a couple years ago and wrote a 700 word story that won the Writer’s Digest fiction contest. So play with words, who knows where it may lead. Then, if stuck, take a break from what you’re working on and work on something else. If you’re writing a dark, difficult piece, take a break and write something funny. Play with your words, they are your tools.
Write free hand, old school like Natalie Goldberg talks about in Writing Down the Bones. Pen and paper. It’s a transformational writing tool that connects you to your work on a deeper level than imagined.
A couple of my favorite writer’s dates with myself are; I love to go to coffee shops where I never go, in different parts of the city or take the ferry over to the islands and go to coffee shops there, and write. The fresh air on the ferry, the water and the change of scene reawakens my writing mind. I also go to art museums and sit on those couches in the middle of the room – where no one really ever sits – and gaze at great paintings, this stirs something inside me to write. Don’t know why, it just does. Last week I went to Portland, stayed in a hotel, wrote till late night, got up early went to the corner café for coffee, wrote for a couple more hours and the went on with an exhilarating day (at the art museum) culminating in a writing session back at the same café where my day started, but this time with wine instead of coffee. I needed the time alone, in the city where my next novel takes place – my story world. I was completely recharged within 24 hours of alone time. Thankfully, I have a wonderful husband who encourages these needs in my life. So whatever your life permits, create writer’s dates (no matter how grand or how small), find companions on this life-long journey of learning, and never forget to restore, inspire and encourage yourself.
What stirs your muse? Figure that out and reconnect with it frequently. For every unique writer there is a unique path. Find yours.
I am teaching The Artists Way for Writers at Edmonds Community College if you’d like to explore this further. Be well, keep writing. Cheers, Mindy
|Whether you’re new to The Artist’s Way by Julia Cameron, or have a shelf filled with years of Morning Pages, our class will reconnect you to your muse. You may be working on a novel, short stories, journaling, or simply wanting to experience enhanced creativity in your life–whatever your goal is, using the tools in Julia Cameron’s bestselling book will help you explore how to engage and invigorate your writing verve.
During our six weeks you will explore the lessons of The Artist’s Way, harnessing your inner creativity, addressing negative beliefs, forming creative allies, making artistic u-turns, blasting through blocks, making writing dates with a muse, letting your imagination play, and creating a contract that honors the writer’s life. We will have two optional writing dates at local coffee shops outside of campus. Prior knowledge of The Writer’s Way not necessary, but you can purchase Cameron’s best selling book here.