Reprint of an article I wrote on Pubslush about my writing influences. I chose to write about what influenced a very popular character in Return To Sender, Solomon.
My writing influences started early in life. When I was ten years old I met a man outside the cannery in Wheeler Oregon. I was waiting for my dad to drop off his fresh caught salmon and have a beer with the cannery owner. I stayed outside because inside was the nostril scorching stench of dead fish! The one bench was half occupied by that man, so I sat down, broke my Popsicle in two and handed him half. He said “Thank you!” and that he would trade me a good story for my gift.
Several times that summer we sat on that dog-eared bench, shared a Popsicle, a story, and watched pigeons’ pick at fish scraps by the boat ramp. He recanted legends and explained that he was one of the last Nehalem Indians, and that he was healer, a shaman. He had a cryptic dialect and a guttural but soothing voice.
Flash-forward many years; him long forgotten, until one night he came to me in a dream. I knew my wise healer was there for a reason. I tingle now, writing this. I had cancer, however didn’t know it yet –I learned two weeks later. During the two weeks that followed his visit I zealously created a favorite character in my novel; Solomon, the last Nehalem Indian. His visit that night was to let me know he was with me.
In Return to Sender Solomon is the mentor archetype and a shaman who heals the protagonist, Theo, so he can transcend his current state and move on to his destiny. Looking back I realize I unconsciously created what I needed for my journey through cancer. I researched Nehalem myths to make Solomon resonate with that man I met five decades ago who graciously traded Popsicles for enduring mythologies.
About the Book:
Father Theo Riley never wanted to be a priest, nor a killer. The former boxing champion and Korean War veteran gave up more than a career when he went into the Army. He lost the only thing he ever wanted: his love, Andréa Bouvre. Friends thought Theo entered the priesthood to mend his broken heart or atone for the massacred orphans he couldn’t save in Korea. However, the truth is much darker and more damning, tied to a blood debt and family secret that has haunted Theo since he was a boy. He drinks to forget he ever had a life of his own—waits for death, prays for mercy, and hopes for a miracle. He gets all three when a child goes missing, another shows up on his doorstep, and the love of his life drives back into his world; the seaside hamlet of Manzanita Oregon. Theo’s dream reunion with Andréa becomes a nightmare when a serial killer who considers himself a holy man targets the town and everyone Theo loves. Drinking days decidedly behind him, Theo and some old warriors set out to send evil back to hell and a few good souls to heaven in Mindy Halleck’s debut novel.
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Welcome to my blog page. Here I’ll post about things relevant to my novel, Return To Sender, Korean War history, and the Oregon Coast. AND If you’re a writer please check out my writers blog at Literary Liaisons.
In Return To Sender, the protagonist, Theo Riley is a hero with a back-story steeped in real history. Here is the story about one such hero who died yesterday. Thank you, Air Force Col. Dean Hess, for being a real life hero.
Reprint from the Air Force Times
Hess died Monday at his home in Huber Heights, a suburb of Dayton, after a short illness, his son Lawrence Hess said Thursday.
Hess, an ordained minister, was a U.S. Air Force lieutenant colonel when he helped arrange evacuation of Korean orphans from their country’s mainland to safety on a coastal island, according to the National Museum of the U.S. Air Force. He was a significant figure in Air Force history, and his efforts to help Korean children are a “shining example” of the Air Force’s humanitarian airlift capabilities, museum historian Jeff Underwood said.
“What is less well-known is the instrumental role he played in training the fledgling South Korean Air Force,” Underwood said in a statement.
Hudson, one of Hollywood’s top leading men, portrayed Hess in the film “Battle Hymn” in 1957, a year after he starred alongside Elizabeth Taylor and James Dean in “Giant.”
“Battle Hymn” also was the title of Hess’ autobiography. He used the movie and book proceeds to build an orphanage in South Korea, his son said.
“He was a humble man who loved children and never cashed in on his notoriety,” Lawrence Hess said.
A medal presented to Hess by South Korean President Syngman Rhee in 1951 for his service during the war is displayed at the museum near Dayton. Other Hess artifacts there include a flying helmet that he wore in Korea and that Hudson wore in the movie, which also featured Martha Hyer as his wife and Alan Hale Jr. as a mess sergeant.
The museum said Hess and Lt. Col. Russell Blaisdell, a chaplain, devised a plan to transport hundreds of orphans to refuge on the coastal island as part of Operation Kiddy Car. U.S. planes airlifted the children, and the men arranged food, money and clothing contributions for them, the museum said.
Lawrence Hess said he accompanied his father to South Korea in 1999 and saw Koreans’ respect for him.
“It was like traveling with a rock star,” he said.
Hess, who was born in Marietta, flew 250 combat missions in Korea and 63 missions in World War II. He is survived by three sons, a daughter and several grandchildren and great-grandchildren. His wife, Mary Hess, died in 1996.
To read Return To Sender, the story of a Korean War hero turned pathetic Catholic priest, and religious fanatic serial killer who collide with destiny, please visit my Amazon page.
I’m not at all excited —you’re sensing the sarcasm, right— to be one of the Indie feature reviews in this months KIRKUS REVIEW magazine. Though it is my least favorite review (received for Return To Sender) it is none-the-less EXCITING to see Return To Sender mentioned in a glossy magazine that goes out to industry pros; agents and the sort. So cool! Doing the happy dance. What a nice bit of news before my book signing event at Third Place Books tomorrow. It lessens those haunting, ‘why would anyone want to come listen to me read’ nerves.
Neahkahnie’s Black Demon
Portland Oregon was home. Most of the year was spent working at dad’s shoe repair shop, but for a few years –the good years, we call them–summers were spent in Manzanita Oregon. My novel RTS takes place in that Manzanita of the 1950’s.
It’s a cliché understatement to say that things on the Oregon Coast have changed dramatically –but wow have they. Manzanita is now a swanky and expensive beach town with high end homes and mortgages I can’t afford. Long gone are the days when we stayed in shanty shacks, trailers and tents. Gone are the sun-splashed days when my cousins and I stood on the windy beach studying Neahkahnie Mountain, pondering the many myths of ghosts’ hauntings, and the pirate’s gold that had eluded an army of treasure hunters, most of whom traveled to Neahkahnie with a hunch, a shovel and a wheelbarrow. There were a few law-breakers who came with bulldozers and backhoes. They got arrested. My dad and his buddies included.
The thing we feared the most was what the Indians called the ‘black demon’ who guarded that treasure.
“That black demon must be pissed.” My cousin Nene would always say.
“Yeah,’ I’d say, “But he’s just a ghost, what can he do?”
“He could toss us like tooth-picks.”
“I don’t think so. . .” I’d say, “but you go first.”
We’d hide in the bushes at the foot of the mountain and look up through the binoculars we had ‘borrowed’ from
her dad, my uncle Ed, who would also be pissed, if he knew. We were eleven years old. My brothers who followed, younger, and the gang of summer-kids (Manzanita vacationers) that also followed ranged in age from five to ten. If you ever saw the movie Gooneys (also filmed on the Oregon Coast) then, that was us, but with two scared-ie-cat girls as leaders.
Anyway, that black demon as legend told was left behind one summer afternoon, many years ago. Indians near Neahkahnie Mountain were astounded when two sailing ships approaching their coast –the first ships they had ever seen on the Oregon coast and that they said looked like “great birds” –began to ”thunder” and puffs of smoke blustered from their sides. After considerable noise and smoke, one of the ships began to list, and was cast up on the beach near the foot of Neahkahnie. The other set sail over the horizon and was not seen again.
As the ship pitched onto the sand, men toppled over its sides and staggered ashore. All of them were white, except one, who was much larger than the others–a giant, legend says. And he was black.
To the Indians, who, until then never thought there was another race, these men of diverse colors were an alarming sight, and they observed them much as we might regard aliens from another planet coming into our backyard.
At low tide the colorful strangers brought their belongings ashore. Among their items was a huge chest, so heavy and awkward that it took eight men to carry it. With considerable determination, they carried the chest a short way up the mountain, where they then dug a deep hole. They then lowered the chest into the hole. The black giant, whom the Indians supposed was an evil demon, was ordered by a knife wielding white man, to step forward. When he did, he was struck down, and his body flung into the hole with the chest. The men then filled the hole with sand and returned to the beach. The Indians watched all night. The men lifted small boats off the listing shipwreck and rowed away in the moonlight, never to be seen again. The Indians did not disturb the demons resting place, but legend holds that the sand at the end of the mountain turns black in winter. That the black demon pirate is often heard bellowing his anger across the sea, and that when treasure hunters have gotten close, that black pirate has manifested great tragedy in their lives. It was him we wanted to get a glimpse of –from far away, but a glimpse just the same.
So, we’d climb, pulling ourselves up by tugging on the slopped junipers or jagged rocks of the path. Every time someone fell or got hurt we claimed they were pushed by the black demon pirate. Eyes would bulge. Paranoia would set in. Every natural sound had an unnatural effect. We never made it to the top but instead would make it about halfway up the path on the side of the mountain and run yelling and screaming back down.
Summers in manzanita were filled with ghost stories, roasting hot dogs and marshmallows at the campfires along the shore, and watching for that black pirate who we believed sat on a rock at the crest and watched us as we imagined we were watching him.
Of course we never got a glimpse of him. Nobody I know ever found the elusive gold treasure, but a couple people I know spent a small fortune trying to and several days in the Tillamook County jail to prove their devotion.
While I don’t know about that black pirate who haunts Neahkahnie Mountain, what I do know is that I and my brothers have all had mystical, often frightening, often spiritual sightings and happenings when hiking there. So did our dad, that’s why he stopped looking for the black pirate’s gold, saying, “Let him have it.” One of my brothers looked for a bit, but the rest of us never did. To just, “Let him have it.” made more sense. The story of that black pirate plays a role in Return To Sender, which in many ways is ultimately how dad felt about that rumored treasure. 🙂
You can find a lot of info on the history of Neahkahnie, Manzanita, Tillamook or Nehalem at the Tillamook museum.
Below is an excerpt from one tour page.
How Long Does It Take To Write A Novel?
By Mindy Halleck
Aspiring novelist often ask, “How long did it take to write Return To Sender?”
“TEN YEARS,” I tell them.
Then I get a look of horror, so I explain. There were a lot of reasons, but two main ones.
One was that I had cancer three times while writing my book. With each time I lost at least one year of recuperation time and the long bouts of NO energy or creative flow interrupted everything. When focused on my own mortality it turns out I’m not one of those authors who can create: some can, and I admire their stamina. I just couldn’t think straight and so lost a lot of time.
The other reason was it took years to research Korea, The Korean War, and The Korean War orphans who our US soldiers raised money to help and risked their own lives in doing so. I then had to write my protagonist, Theo Riley’s journals based on that research. I wrote his letters and journals for three or four years so I would know who he was, what he went through and how deeply he was wounded. It was a long process but one I needed to go through in order to create an authentic Korean War hero.
It takes a lot of energy and focus to write a novel and for many of those TEN YEARS I was focused on loving my family and staying alive. However, what I did create while really sick was one of my other characters who I adore, Solomon. He’s a Nehalem Indian Shaman (a healer) and a wise man who guides Theo out of his darkness. No mystery there; I needed a healer and a guide through my darkness and so unconsciously created one. It helped. Today I’m fine and starting work on my next novel. To Read an excerpt from Return To Sender, and the rest of the blog click here, ALSO sign up to win a $100 Amazon gift card while you’re there.
This ‘About Return To Sender’ interview was transcribed and edited from a recorded conversation with Roxana Arama, author of Re-Writing History.
As a young Irish immigrant in America, Theo thrives with the help of Solomon, a Nehalem Native-American man. After the Korean War, Theo finds Solomon again, and his old mentor helps him in his struggle against Genghis. You studied the Nehalem culture closely for this novel. Is there a real-life model for Solomon?
Yes, there is. I mean, I didn’t know this man and I didn’t know if he was anything like Solomon, but he left a deep impression on me. When I was about ten years old, my dad and my uncles would go fishing and then we’d go to the Cannery in Wheeler, Oregon, and they would go inside and have a beer and talk for a long time about smoking salmon. For a ten-year old girl with her Barbie doll in tow this was not a very interesting time. So I would go sit outside on the bench and wait. And outside there frequently sat an elderly Nehalem Indian gentleman. It was widely-known there that he didn’t speak.
Back in those days we had popsicles that break in two, (do they still make those?) anyway, I broke my Popsicle in half and handed him one and he said, “Thank you!” That startled me because I didn’t know he could speak. So I said to him, in one way or another, “I didn’t know you could talk. Can you hear me?” The type of thing a ten year-old would say.
He had this cryptic language and tone of voice, very guttural – it was a wonderful, soothing voice, I loved it – and he said “I don’t talk to white people over twelve years old because they’ve lost their souls and don’t know how to listen.” It was a huge statement to ten year old me. I mean, I went for years pondering why people lose their souls after twelve years old. I know I’m not remembering exactly as he said it but that was the essence. It stuck with me as I worried I would lose mine. And then he said, “…but I can tell that you listen.” And I remember thinking, yes, I’m a good listener; maybe I won’t lose my soul.
Those maybe, three times that I sat on the bench with him, he told me stories and said they were Indian stories and that the Indians used to live there and that it used to be his family’s homeland. It all captured my imagination and interest at the fledgling age of ten.
Flash-forward a lot of years and I decided to put this man in my novel, and so unconsciously created Solomon, who is my favorite character in the book. He is a shaman, a healer, and he heals Theo and helps him transcend his current life situation and move onto his destiny.
I instinctively created a healer while I was dealing with cancer. So I really got involved with writing about him as a shaman – what kind of herbs he would’ve used, and all – while I was going through my own healing process. And it wasn’t really until I made it through the cancer and realized I was going to live that I looked back on that writing and had the epiphany that, while I was going through my journey, I subconsciously created what I needed. I needed a healer. I needed Solomon.
Later, I bought Clara Pearson’s book at an auction held by the Oregon State University. She was considered the last living Nehalem Indian and she was interviewed in 1953 by the Oregon State University and they documented it all in a book called Nehalem Tillamook Tales. So I bid on that book and got the only one they had. And I read through those myths, which was very difficult because it’s such cryptic English and the interpretations are a little wonky. It’s a brutal read. But now, all the myths and things that Solomon says in the book come directly from real Nehalem myths as does his language and the way that he speaks. Inspired by that man I met as a little girl, I tried to make Solomon resonate with his spirit that he so generously shared with me.
I wonder if other writers get as attached to their characters; I cried for days after writing what happens to Solomon in my novel, but it had to be that way. Still, letting go of my spiritual healer was difficult, painful and yet timely.
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